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Cinemacom 5. 00 Top Western Movies. The Legend of the Western Movie. Created 2. 00. 1Updated May 2. The Western. by Sim. As i grew up in Kansas, in the early 1.
I was born in early 1. Casablanca was number one in theatres), Gene Autry was my hero. Thirty years later, reading his autobiography, I learned that my childhood emulation was perhaps not so out- of- place. Gene was a singular man, pragmatic & idealistic, a worldly success with personal integrity & a sense of fairness in his business dealings.
He never made a great western film, yet his 1. Riders in the Sky remained in my inner eye because the cinema covering the title song was unique in a Western of the . Perhaps as a testament to our consciousness then, the song remained a top hit in the U. S. Shortly afterwards, my dad took me to see Audie Murphy's first Western The Kid from Texas, a Billy the Kid story that had one scene which always stuck in my mind, & only recently in obtaining the French DVD did I confirm that my memory not distortion of imagination. And about the same time I saw my first significant Western, Raoul Walsh's Colorado Territory, significant because it is one of the few Westerns named by a couple of critics as one of the best films of all time in Sight & Sound magazine's 2.
A few years later, shortly after choosing to see Roy Rogers' In Old Amarillo instead of going with a friend to Viva Zapata!, the 'B' Western ceased; then I saw Shane, the same year John Wayne did Hondo and James Stewart stirred me most in The Naked Spur. Thus, my perceptions of the possibilities of the Western film art was sharpened. There are wonderful moments in some of these old films. At the top of this column, William S.
Hart rides in Tumbleweeds, performing a truly incredible Chariots of Fire catch- up (recall where Eric Liddell falls, gets up and wins?) in the midst of the Oklahoma Land Rush. It is said that Hart's depiction of this epic race was never done better, although repeated in Cimarron (1.
Western director's Anthony Mann's 1. Looking back, it seems the 1. Golden Age of the Western. I loved The Searchers when I saw it in 1. This western was really special & different, though in my 1.
I didn't know why, & was disappointed when it was ignored for Oscar nominations at the end of the year. Simultaneously I embraced The Ten Commandments as the best film of the year. Though De. Mille's movie got its critical due back then (ayhee! Because my childhood endorsement is now 'justified', an icon of The Searchers is part of the Cinemacom. These are the five great Western movie directors, and only Clint Eastwood is still alive and working today, though he's not made a Western since Unforgiven in 1.
Mc. Laglen and Henry King, while being variously interpreted by William A. Wellman, Fred Zinnemann, Robert Aldrich, Nicholas Ray, Richard Brooks, Robert Wise, Samuel Fuller, Arthur Penn, Martin Ritt, Jacques Tourneur, Allan Dwan, Joseph H.
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Lee Thompson, Tom Cries, George Roy Hill, Don Siegel, John Huston, Robert Parrish, Rudolph Mat. Mankiewicz, Robert Altman, Alejandro Jodorowsky, George P. Cosmatos, Kevin Costner and Joel & Ethan Coen. It is a matter of defining the heroes. Hart, Eastern born, but a true cowboy- Westerner from the 1. Gene Autry, Oklahoma bred, who entered movies at the urging of Will Rogers, singing and setting a code of ethics to help youth develop good character.
After the war, Gene returned to making 'B' Westerns that were essentially the same as those he'd made before the war, but produced by his own Flying A production company, which made him a millionaire, while John Wayne, working with John Ford and Howard Hawks, and later with Henry Hathaway and Don Siegel, forged his uniquely diversified Western icon that today lives in the image created by Clint Eastwood. World War II changed the style and content of major Westerns, just as however obtusely it influenced and motivated new creativity in cinema world wide, such as film noir. Ford's 1. 93. 9 community of Stagecoach evolved into Wellman's divisively tragic Ox Bow Incident (1.
Vidor's tragically romantic Duel in the Sun and Ford's tormented Doc Holliday in the otherwise serene My Darling Clementine, both in 1. Then came Hawk's epic Red River (1.
In this film John Wayne emerged as the quintessential Western hero, the good, the bad and the ugly, which reached its definitive portrayal with his Ethan Edwards in Ford's The Searchers, nine years later. Meanwhile, we saw Joel Mc. Crea redo High Sierra in Walsh's Colorado Territory (1. Gregory Peck die in King's The Gunfighter (1. James Stewart lose his wife in Daves' Broken Arrow (1. The Naked Spur (1.
Mann Westerns; Gary Cooper act out of courage and duty rather than desire in Zinnemann's High Noon (1. Alan Ladd ride in, fight the fight and ride away wounded in Steven's Shane (1. Sterling Hayden and Joan Crawford make out in Ray's Johnny Guitar, John Payne overcome false accusation with false endorsement in Dwan's Silver Lode and Cooper and Burt Lancaster shoot it out in Aldrich's Vera Cruz, all in 1. Robert Taylor go mad and freeze to death in Brook's The Last Hunt and Indian renegade Richard Widmark save the settlers in Daves' The Last Wagon, both in the same year The Searchers appeared, 1. By this time, the Western had become very diverse and its heroes very flawed. Besides the film's epic sweep, the sustaining interest of The Searchers lies in tone set by the ambiguous and obsessive John Wayne character. Randolph Scott had been playing laconic roles in Westerns for several years, and in 1.
Budd Boetticher for a series of tight, confrontation Westerns, most motivated by a revenge or obsession theme that also embraces all the Mann- Stewart Westerns. At a certain point, obsession for revenge or obsession of any sort becomes madness. Wayne's Ethan Edwards character influenced many later Westerns, such as Gregory Peck's character in King's The Bravados (1. Note the difference in John Sturges's portrayal of Wyatt Earp in his 1. Gunfight at the O. K. Corral and ten years later in Hour of the Gun (1. Paul Newman's Billy the Kid in Penn's The Left- Handed Gun (1.
Anthony Quinn in Dmytryk's Warlock (1. James Stewart in Mann's westerns, and Gary Cooper reflect peculiar obsessiveness in Mann's Man of the West (1. Delmer Daves' The Hanging Tree (1.
Hawk's vastly entertaining Rio Bravo (1. Westerns after 1. Western on Sight and Sound's poll in 1. The Searchers, racking up identical votes with Ford's My Darling Clementine in the top 5.
Ford's Stagecoach and Sergio Leone's The Good, the Bad & the Ugly and Once Upon a Time in the West). However, it was with John Wayne's portrayal in The Searchers that John Ford set a tone for the Western hero that influenced Peckinpah and Leone and nearly every major Western to follow, still echoing in the last two significant Westerns of the 2. Century, Eastwood's Unforgiven (1. Cosmatos Tombstone (1. Earp- Holliday- OK Corral movies, due to its embracing of today's brutal, fast- moving action complemented by eccentric character portrayals, especially Val Kilmer's definitive Doc Holliday. The Golden Age of the Western ended in 1.
Gary Cooper died in 1. Daves' The Hanging Tree making a suitable denouement to his cowboy career which began in 1. Victor Fleming's The Virginian. After 1. 96. 0, Daves never made another Western nor did Anthony Mann. Budd Boetticher, after his collaborations with Randolph Scott, made one more with Audie Murphy in the late 6.
Boetticher- Scott Westerns more influcence Clint Eastwood's Westerns than any other director's. A moot point, for present art always derivies from the past, whatever the source. Deserving mention is one TV Western series of the many that dominated video in the late 1. For 6 seasons from 1.
Have Gun Will Travel became a benchmark in quality writing, acting & directing, packing more plot & subtle development into each of its more than 2. Richard Boone's Paladin character and various plot set- ups can be found in numerous later westerns, including the Leone- Eastwood collaborations, while the major director Andrew Mc.
Laglen went on to direct several of John Wayne's later films, & series writers Gene Roddenberry & Bruce Geller went on to their own historic TV creations. No other western series equaled it in intellectual depth. Regardless, great Westerns after 1. WWII 1. 95. 0s, while paying hommage to their classic predecessors. Marlon Brando released One Eyed Jacks in 1. Sam Peckinpah's Ride the High Country, not only showing his uniquely formative directing style to a wider audience than The Deadly Companions the year before, but also serving as the sunset saga for two of the screen's Western greats, Randolph Scott and Joel Mc.
Crea, who 'enters his house justified'- -his dying words. David Miller's Lonely Are the Brave presented horse riding cowboy Kirk Douglas battling the forces of modernity in present day fairly amounting to classic tragedy in structural terms, signifying the final gasp of a western life that can never be again.
Lastly, John Ford cast James Stewart and John Wayne in his commentary on the death of the Western mystique with The Man Who Shot Liberty Valance, whose closing statement on the genre of 'we print the legend, not the facts' throws away any concept that the Western film had ever tried to portray the reality of what really happened in the West. Directed in a deliberate, old- fashioned stagy style, Liberty Valance says that the whole genre is based on myth, and the great Westerns to come would only amplify and luxuriate in this concept, while their characterizations became more naturalistic in line with contemporary cinema screenwriting. It is significant that only one decent minor Western was released in 1.
Sergio Leone's Per un Pugno di Dollari appeared in Italy, with the U. S. Leone's Italian 'spaghetti' Westerns borrowed from the best of his predecessors, while amplyfiying the effect and adding the director's innovative, unique style.